Tuesday, March 23, 2021

Bad Baby Bomb

 

I was reviewing hard rock and metal acts earlier. This is unlike any of them - although there is a connection. More on that later...

[Clockwise from near left: Vocalist Nicky, drummer Kuro, bassist NaluchaRos, guitarist Lisa13]


  "Bad Baby Bomb" is a 4 girl band in Japan that does music, well, so far mostly about being a girl.  In fact the first of their YouTube songs is named "Being a Girl." (Although I believe they're actually "twentysomething" young women.)
 IMHO it has a punkpop quality, a garage band vibe, and a uniqueness beyond those categories.
  There are three instruments I've seen so far, and with only one regular guitar in the mix, much of their sound is bass and drum heavy, which is fine with me. And the play between bass and guitar is nicely done and often interesting, though not always obvious. Sometimes it sounds like they're each going off on their own... yet still somehow complementing each other. The longer I listen, the more subtleties I hear.
  I don't know if the lead singer plays an instrument, because the official video doesn't show them playing through it, and the video of a mini-concert done last April doesn't show the singer at all; she is there by means of technology. However, in some songs on that video I hear a synthesizer, so she might play keyboards.
   I learned of them via an interview of "Lisa13" the guitarist, done by travel vlogger Oriental Pearl on YouTube.
   In the interview, Lisa describes how she and her Dad went to a make-it-yourself studio and created a simple device to fit her undeveloped hand (her right) to which she can attach some tools. That is her pick hand on the guitar. From what I hear so far, she seems to have ability, timing and creativity.  I look forward to what they do next.
   The interview with Oriental Pearl:
    https://youtu.be/mAfBg7LFCZE 

   Their first MV drop was “Being a Girl” about a year ago.
   Although, "Being a Girl" official video really isn't a video. The screen shows the name of the band over the dim grey image of a bat on a faintly less dark background to look at whilst listening to the audio. Synthesizer is prominent.
  The notes identify Lisa13, the guitarist, as composer, and vocalist Nicky as lyricist.
   https://youtu.be/etE0e5I8Dzw

  This was the first video I saw, and as an official MV the quality is pretty good. Great road-trip song. Lots of playing about in a very pink apartment (or set?) while the song plays.
  https://youtu.be/uNxAqAsmLj8

  The mini concert they did in April 2020 in what looks like a basement or garage studio with the lead singer on an unseen remote feed. Click the little chevron in YouTube that opens the Notes for this to get the set list, member names, etc.
  https://youtu.be/XB0kiyqKEpA

 
  Those three MV links are from their official YouTube channel, so you can subscribe.
YouTube  
https://www.youtube.com/channel/UCUaypdpNsRPG0gkgt6M75sQ

   The newest tune they uploaded at this point is "Ms. Pancake" - well, sort of. There is a video on their channel ABOUT making it, mostly messing about getting ready, then finishing with a hysterically speeded up section of them actually playing it. Meanwhile - on Lisa's channel, she dropped a video of her putting a pink cassette of it into a single-speaker boom box and mouths the words a bit and smiles while it plays through. Very much continuing the 1990-ish theme: 

https://youtu.be/GThiiI-AynM

 

The group site:
https://badbabybomb.com/about/

Twitter @BadBabyBomb
Instagram @BadBabyBomb
     I said I would have more later on their metal connection. To start with, Bad Baby Bomb is not Lisa13’s first rodeo. According to this article, she was a prime mover in at least one other band of note before this one, “Moth in Lilac” which she led (and which I plan to review next).
    https://www.jame-world.com/en/article/153715-bad-baby-bomb-summer1990.html

   The article describes Moth in Lilac as “alternative metal” which certainly applies, though it notes Lisa resisted labels for the group. Just my impression of the dominant sound so far would be thrash metal.


   NaluchaRos was also bassist for that group. She has a couple of bass covers on her own channel.
   https://www.youtube.com/user/peko88rock
Her others:
Twitter @Nalu_chaRos223
Instagram @nalucharos22

   NaluchaRos, one of her Twitter posts. Def she's going for the little girl kawaii look. Very solid bass player though.


________


Nicky Rosa the vocalist comes to BBB most recently from RiViNi, whose name was compiled of the first two letters of the names of the first three members to join. She was the “Ni” ending of the name.
  She is originally from eastern Pakistan and the "s" in her name might be pronounced "sh."
  https://www.discogs.com/artist/6478128-Nicky-37
Twitter @l0u0lr
Instagram @nicky_badbabybomb

   I brought in a part of a RiViNi pic to show Nicky. Part of the N is in the upper right, and a bit of her bandmate's hair is just behind her right shoulder.


________


Kuro the drummer, formerly of “Grudge Against Personality” - basically a death metal group.

[Update 2021-04-14: When I first posted, I said “Good luck finding an individual picture of her. Her Twitter pics are mostly either playbills or photos of her pet rabbit.”  Since then I found the Grudge Against Personality page on Facebook, so here is one of the better pics I found on there. Note the makeup and the leather mask worn in the approved under-chin position.]

 
Twitter @last_9871
 


_______


Lisa J Poole herself/Lisa13
Twitter @lhjw121315666
Instagram @lisajpoole13

Lisa did an acoustic cover of a song by Suede called “Animal Nitrate” a few years ago that shows her guitar work close up, audibly and visually. You can get a good look at her playing using her wrist-mounted device with a pick.  

  At the time, she was in the middle of her run with her thrash metal group Moth in Lilac. This is quite different.
https://www.youtube.com/watch?v=rnFTTrJCujQ



 _______


  Bottom line as I see it: Interesting, quirky alternative music group, not like anyone else, with engaging tunes and intriguing people.  Give them a listen on YouTube and see what you think. Or better, how you feel.

Updated 2021-04-14

J

Tuesday, April 9, 2019

exist†trace

exist†trace

The name as a logo has a vertical sword pointed downward between the words “exist” and “trace.” I’m going to use a hyphen in the rest of this article.

February 2019         L - R: Miko on guitar, Naoto on bass, Mally on drums, Jyou lead vocals, Omi lead guitar

This is mainly melodic metal, and of quality. Many of the melodies could stand on their own in various genres. The gutsy instrumental work is rich and satisfies the metal fan in me.
I don’t wanna be all gushy, but... Exist-Trace is dang near perfect.
Why?
They have artistic quality, musical balance, and creativity that will not be kept in a box. I will use some descriptors to try and convey what I’m hearing, but please don’t assume any cut-and-dried stereotypes beyond what is said. For example:
They have some Metal qualities and are very capable of laying down a rich metal sound, and they mostly dress in black or other dark colors, like Goths, and they deal with heavy subjects often, like Goth and Metal do. The song Power of “One” is about people coming together to change everything, a positive message. On the other hand...
 What about when people aren’t so mutually supportive? The song “Water” is from the viewpoint of a girl who has just given birth and is in recovery, her body is torn, and her lover is angry at her for letting this happen. He won’t even hold the child. She is hoping for an end to cruel words and a beginning for love. But now - sorrow and pain and no love. Yes. They go there.
They’re also woke enough to (for example) try and wake others up to the existence of child sacrifices. (You can believe or disbelieve that, but you can’t say they’re afraid to bring up the hard issues.) Is “Sacrifice Baby” raising our awareness about overt Satanic type sacrifice or about abortion? Maybe both. You decide. What it is not, is a shallow excuse for musical art, which is all too common. E-T (a curious acronym) lays down some serious content.
 At the same time, no two songs are quite alike. They vary. They lighten up and have fun with it too. A couple of tunes have a lot of the “hot” swing-jazz influence from the late 1940s. They have a lot of things going on.
One of the categories they inhabit is Visual Kei. Visual Kei is a kind of glam-rock involving costumes and usually androgyny. Japan, like England, has a history of cross-dressing in theater, so the theatrical androgyny may or may not mean anything regarding their offstage sexual preferences/orientation. Legendary Visual Kei band Shazna for example, re-formed for the third time in 2017 with three of the original male members from 1993 including lead singer Izam, who is a scarily sweet-fem character onstage who is often in very convincing drag, plus three newer (2017+) members including Raychelle and Natsume of (also) Raise a Suilen. Izam’s first marriage (to a woman) failed in 1999, but his second marriage (to a woman, actress Yoshioka Miho) in 2006 appears still strong and they have three children. So don’t assume anything personal; it’s all just visuals, impressions. Maybe.
So, lead singer Jyou has medium-short hair (think unisex anime hero/heroine hairstyles) and dresses in a “masculine” style,  while guitarist/songwriter/vocalist Miko generally wears lacey black dresses, and the others are all along the gender spectrum in between. Bassist Naoto splits the difference, wearing her hair quite long on one side and closely buzzcut on the other.
 And as Japanese rock band members often color their hair (not all, Band-Maid has kept theirs natural I think), there’s hair dye involved and early on, Jyou's hair was blonde/light brown, then for a time, it was bright red. About that:
Red hair is of course Anglo-, or at least Gaelic-American and "American" relates to rock and roll. But in Asia, red hair is a bit edgy, for a couple of reasons. Conservative folks expect black hair and at times that gets ridiculous, with school teachers in Japan harassing students with other hair colors, telling them dyed hair isn’t allowed even when theirs isn’t dyed at all. Recently a folk singer did a protest song about this; she has brown hair and they demanded she bring a doctor’s certificate that brown was its natural color. She was like, You could just look at the roots?! At least she got a song out of it.
The other reason goes back thousands of years to the Scythian migrations. The Scythians were a Nordic-ish nomadic group who exchanged DNA with lots of people along the way, but their base genetics tended to be very tall, red haired and (compared to most Asians) large nose, and their culture was fierce and warlike to survive their many challenges. They swept across northern Europe and Asia eastward, then southerly (though there is physical evidence and Native American legends that some red-haired giants ended up in North America), skirmishing with and apparently reconciling with the Japanese in the process, after which the Japanese adopted the Scythian overlapping metal plate armor and the Scythians brought the Japanese chain-mail westward because it worked well with their fighting style of  longbows and long swords on horseback. Point being, they left an impression; to this day the traditional depiction of a demon in many Asian cultures is often a big red-haired character with a large "hooked" nose.
BTW, a number of Scythian groups settled in various places and although mixed, red hair still is not unusual among some of them, such as the Gaelic people of Ireland and Scotland - in fact one of the Scythian names for themselves was “Scoti”.
So when you see Japanese rock band members with dyed red hair, there is an ancient association with being intense, fierce, and possibly not a nice little cog in the traditional local social system. A wildcard.
Exist-Trace played on this. They did a song “Ginger” (British term for a red-haired person) during the period lead singer Jyou played a ginger-haired masculine character.  Interestingly, it has the feel of a late 1940s or 1950s French jazz club. In the official video, the band members find a stash of jewelry and each is killed off by her companion(s), and the last one standing, looking narrowly into the camera like a stone-cold killer, is of course, Jyou as a ginger.
And of course, now that I’ve said all that, Jyou seems to have her natural hair color (?) back lately. But anyway, now you know about that and it applies to some other bands too.
The past: Exist-Trace was formed in 2003-2004. They have kept the same people since then to date, excepting a support guitarist “Yama” whose what-when-where I’m unclear on. So there is good reason why they are a tightly integrated, well synchronized band. They probably have instinctive knowledge of each other's approaches and responses by now.
The name has to do with tracing our existence, our lives...

iTunes: http://smarturl.it/exist-trace_iTunes
Spotify: http://smarturl.it/exist-trace_Spotify
Google Play: http://smarturl.it/exist-trace_GGLPlay
Amazon MP3: http://smarturl.it/exist-trace_Amazon
Official International Fan Club: http://archangel-diamond.com

CDJapan is a solid source, and allows you to look at the total cost with shipping before entering your payment. Nice. This is the Exist-Trace page there. Note that just under the name of the CD/DVD is the name of the artist/group. A couple of them say "V.A." instead which means a "Various Artists" collection on which this group is included.
http://www.cdjapan.co.jp/person/401394?s_ssid=e313615cb5c3bb7a0f

Group site
http://www.exist-trace.com/

Official Twitter: Good for current tour info and miscellaneous pictures
https://twitter.com/existxtrace_19

       Mally's Twitter
       https://twitter.com/existtraceMally

       Miko's Twitter
       https://twitter.com/miko_0307

       Miko’s personal blog
       https://ameblo.jp/existtrace-miko/entry-12450876918.html

Discogs
https://www.discogs.com/artist/1804549-ExistTrace?page=1

The Visual Kei corner of Fandom.com has a nice detailed history and discography.
https://visualkei.fandom.com/wiki/Exist%E2%80%A0trace

And VKH-Press has an interview regarding their most recent (late 2016) EP release “Royal Straight Magic”:
https://www.vkh-press.com/2017/02/interview-existtrace-on-royal-straight.html

Their Facebook page...
https://www.facebook.com/existxtrace.official/

Yes, MySpace is still going
http://www.myspace.com/existxtrace

Some nice pics from late 2017 by photographer Meiko Kikuta
https://jrocknews.com/2017/12/exist%E2%80%A0trace-completes-19th-challenge-series-climax-event.html

And the Wiki schtick
https://en.wikipedia.org/wiki/Exist_Trace

February 2019, Nagoya.       L - R:  Miko, Omi, Jyou, Naoto, Mally
 Jyou, Mally and Naoto started the group, auditioned guitarists and brought in Miko and Omi.  Omi is lead guitarist, while rhythm guitarist Miko has become the principal songwriter and second vocalist (they all contribute at various times and degrees). Their tunes tend toward the melodic side of the metal spectrum.
 A sampling of the YouTube music video posts. There are quite a few more, as might be expected of a band active for 16 years now. There are also a few talking video posts, of which some have English subtitles, that I haven’t listed here. A YouTube search on Exist-Trace will find them.

    Their first official release was Ambivalence in 2005. Heavy, yet some of Jyou's vocals are almost delicate. A tour de force.
https://youtube.com/watch?v=Q8xMxi_FeEs

    Halt
An early one, from 2007. Sorta undead death-metal.
https://youtube.com/watch?v=CmF4jtVHh9Q

    Liquid.        Heavy, with growls, etc. Song released 2007, this performance maybe 2009.
    https://youtube.com/watch?v=x3MsqvWtEQs

How many singers can make a yodel sound artistically elegant?
Jyou can.
Lost in Helix from the EP “Vanguard of the Muses” - 2009
https://www.youtube.com/watch?v=_CeLu9KN2hI

Instinct.       2011
Begins with the invitation, “Shall we dance?” - with a certain edgy quality. Then rips into something that is danceable, yet heavy; sounds like it could be for a darkblood vampire party. Muahaha!
https://www.youtube.com/watch?v=IXlwZOlQyrI

During her red-haired period, on June 18, 2011, Jyou did a rare public performance in a dress, for just part of their set. This is "Kiss in the Dark" which was one of their vintage French jazz club feeling numbers. So the dress was brief, as might be worn by the chanteuse in such a club when her song included dancing behind/with the mike (BTW, notice Jyou typically uses a classic slotted metal mike of the style of the late-40s - early 1950s period).
A stunning and sexy performance.
    https://youtube.com/watch?v=gum6O_dolb8

    Ginger - official video
    https://youtube.com/watch?v=mPtwsZDelGk

    Knife. A beautiful melancholy melodic anthem from 2011
    https://youtube.com/watch?v=W5oLtIKghbY

    Antique Doll - with English translation, 2011
    https://youtube.com/watch?v=MQ3b8kTWmBI

    True. Also 2011, with ginger Jyou. Official video, sound is pretty good.
    https://youtube.com/watch?v=rZjlIKiCj3g

    Signal. From album Virgin, 2012.
    https://youtube.com/watch?v=7u83GNx-9Pk

    Dream Rider.  2016, modified by fan to the CD track due to perceived poor sound quality in original official video. “exist†trace - Dream Rider MV (audio fix)” posted by Ro the Lion.
    https://www.youtube.com/watch?v=bM82BJqt-1c

Updated 2019-04-16

J

Thursday, February 28, 2019

Disqualia

The majority of Disqualia came from Destrose in 2015, and the group has a lot of similarities of approach. It is/was a tight, 5-piece band.
At one point in Destrose, with guitarist Narumi as Destrose’ longest-running member, vocalist Lisa left Destrose and support vocalist Ibuki got them through their last live concert. Narumi and Risa Risa liked her and soon after, formed Disqualia with her.
Disqualia follows the frequent metal custom of a dark or “negative” element in the naming, albeit somewhat awkwardly in this case. It is active as a support group still, but hasn’t been functioning as a complete and independent group since the loss of lead vocalist Ibuki and bassist Mai in 2017. I am uncertain where and when bassist Waka Oka (Or similar?) comes in, but Metal Archives lists her with Disqualia as:
大場 和香    [ Translates as Ōba Waka per Google Translate]       Bass (2017-present)

And that is a question because the principal activity of the remaining members of Disqualia - Risa Risa on drums, Narumi and Hazuki on guitars - appears to be supporting the solo projects of Rami, the original vocalist of Aldious, and she’s using the male bassist Fin at those times?
So they began with:
Risa Risa on drums
Narumi on guitar
Ibuki on vocals (left 2017)
Mai on bass (also left in 2017)


I see two full-length videos on YouTube. “Over the Destruction” has a lot of both video artsy-play and a shorter sequence of vocals processed to sound electronic. Otherwise the vocals are straightforward, if a bit heavy on vibrato amplitude at times. It has quite a range of sounds, from speed metal to a short mellow classic-rock sounding section. And Ibuki gets some swordplay in there, including licking it.
http://youtube.com/watch?v=M5zBKrTJRg

The “Right Now” video is set in a snowy scene, although I suspect it was done in studio and green-screened into the snow scene because they are not dressed for cold. This one shows Ibuki’s remarkable versatility with superb control, I think.
http://youtube.com/watch?v=qGvi4gelZd0

There is supposed to be a sample of “Blazing World” in there too, but I’m not sure the vid in question in exclusively that. Video vs. Audio are also painfully out of synch.
http://youtube.com/watch?v=Qmm4gyf3nLM

Concert appears to be a cellphone recording and sound is not exactly HiFi. But it does give a glimpse of them playing live.
http://youtube.com/watch?v=CU6NWbTfbwo

Metal Archives helps pull together what is known of them.
https://www.metal-archives.com/bands/Disqualia/35404131

                                                                                                                                     
Releases
Singles:
Over the Destruction    -2015
Blazing World        -2016

And an EP:

Right Now -2016 with 7 cuts, two of which were instrumental versions of Lady Boy and Right Now.
1.  Lady Boy    04:16

2.  Shout It Out    03:32

3.  Right Now    04:39

4.  Mad Desire    04:12

5.  The Destiny of Love    05:21

6.  Lady Boy    04:16       instrumental

7.  Right Now    04:37     instrumental
30:53






Online -
https://www.disqualia.net/

https://www.facebook.com/disqualia.jp

https://twitter.com/Disqualia


Remaining Today
Narumi on guitar
Hazuki on guitar
Risa Risa on drums




Individual Connections:
Hazuki
    https://twitter.com/mochimochimuuch





Ibuki
Ibuki’s site, news page
https://www.vocal-ibuki.com/about

Ibuki’s Twitter
https://twitter.com/vocal_IBUKI







Mai’s Twitter
https://twitter.com/mai_tsukahara





Narumi
Narumi released a mini-album of seven songs via her personal website in February 2018, "The Seed." Unfortunately, like many artist websites in Japan, the "English" button gives you a few words in English and the rest is all Japanese Kanji. Which doesn't give a westerner much confidence to buy from the site when we have no idea what we're doing there.
https://narumiguitar.wixsite.comnarumiofficial/merch

Her link to https://ramimusic.net seems to be shy right now. "Server not found"
She has a couple of sample pieces from the album posted. They're instrumental, jazzy in flavor (especially "Red Rabbit") and unsurprisingly, have lotsa guitar acrobatics.
Alternative source: CDJapan
http://www.cdjapan.co.jp/product/NEODAI-36562?s_ssid=e336fb5c7877b1bfeb

 Narumi’s Twitter
    https://twitter.com/NARUMI_gt




Risa Risa
https://twitter.com/risa_drums


Waka Oka / Waka Ohba / Ōba Waka
https://twitter.com/wakowass

Bassist Waka appears to be playing with the group “CQ” now. Their Soundcloud page is the most readable on my machine. Mostly smooth ethereal shoegazing stuff. A couple of almost metal sounding pieces though.
https://soundcloud.com/cq_jp

https://twitter.com/CQ_band_jp




And since the remaining Disqualia has been playing support for Rami...
https://twitter.com/RAMI_Vocal



J

Sunday, February 10, 2019

Destrose, the Metal Development Team

   On indefinite hiatus since mid-2015, but worth hearing when and where you can find material by them. YouTube has a few. However, there is a reincarnation of sorts in that former members have formed other groups. I’ll be talking about those too, below and later.
  In 2005, the group Destroya was formed. The original name may have been related to a particular kaiju, a mega-monster in the 1995 film Godzilla vs. Destoroyah, which resurfaced on TV in 1997, and in games and manga off and on ever since. In fact there was an XBox game with the character released in 2004. It eventually grew bigger than Godzilla, so you can imagine the earth-shaking reference.
Then in 2007, "Destroyah" became “Destrose”. Not sure why - copyright/trademark issues? Searching the newer name you get lots of “dextrose” hits... watch for the links like "Search only for 'Destrose'?"
They have had a number of personnel changes. So if you’ve heard one Destrose recording, No you haven’t heard them all. They changed People like a revolving door; there were several versions of the group. In the ten active years between 2005 and 2015, 23 full members came and went, including 8 vocalists.
  In 2008, four of their members formed Mary’s Blood.
  In 2015, former Destrose guitarist Minako Nakamura got together with a vocalist, Nico Shizuka, and put together Fate Gear.

This article in JAME-World describes the connections between Destrose and the several very respectable bands formed or joined by their alumni. It’s quite a story involving no less than 11 spinoffs. Their list includes Aftermath, Albion, Animeta Girl, Disqualia, Fate Gear, Mardelas, Mary’s Blood, Octaviagrace, Re:Maker, Vampire Pledge and Velvet Cherry. And since the article, it appears one of their former folk joined Lovebites which makes it an even dozen besides Destrose itself.
It was a dizzying game of musical chairs, with a partly different lineup for practically every demo, every CD, every video.
See the Metal-Archives link below, and go to their discography tab and you can see which songs were on which releases, and who was in that group lineup.
http://jame-world.com/us/articles-119663-the-destrose-connection-the-prologue-.html


Guitarist Mina put the band together, joined by Eye on Vocals, second guitarist Eri, Kayo on Bass and Mari on drums. I don't find any recordings that Kayo was on. There probably were some unreleased ones.
In 2007, they released 3 demo recordings. "Deathless Memories" and "Skykiller" were on the first, and Skykiller was on all their releases during 2007-2009 - but it should be said, with different group lineups.
They had 3 DVD releases in 2009. Headless Goddess, Roses of Destruction, and Skykiller were on all three. And all had partly different group lineups. They kept having to redo a lot of the same tunes so people could compare what THIS version of the group sounded like. My impression was that it was effectively a very extended and very public audition.
Their first DVD album was "Live at the Red Zone" in 2010, and their first single was "Roses of Destruction" - earlier introduced in the videos of 2009.
In 2011, the single "Deathless Memories" (which had been on their first demo, redone) and in 2012, "Fenixx - To Revive" and “Nostphilia" were released.
2013 brought the album "Destrose" and single "Rin/Maze" and in 2014, an EP named "The Prologue."
They appeared in 2013 in the "Tokyo in Tulsa Pop Culture Convention"  (Tulsa, Oklahoma, USA) which I don't recall hearing about or might have gone. I was working in Tulsa that year. Sigh.

Final Members in 2015 included:

Narumi on guitar, later of Disqualia
Miho on bass, later Lovebites
Risa Risa, later of Disqualia   (there's a star between the two parts of the name but I'm not sure how to access that at the mo)

More on the groups formed by Destrose alumni such as Disqualia and Mary's Blood later. A couple of pages on Destrose:
https://www.metal-archives.com/bands/Destrose/104752

    http://www.metaladies.com/bands/destrose/

They still have a MySpace account...
    http://www.myspace.com/destrosedestrose
And I tried:
    http://destroya.nobody.jp/
 - which refers us to http://destrose.net/ which gives the cheery message "Destrose.net currently does not have any sponsors for you." Mmkay, whatever.
If anyone is interested in their lyrics, I ran the Kanji of some of the songs through the Google Translate system and can post those later. I didn't include them here because this is getting pretty long as it is.
What I see on YouTube for Destrose:
Headless Goddess
https://www.youtube.com/watch?v=GJB_jVdkt-M

Maze Live at Shibuya O-West
https://www.youtube.com/watch?v=4qvuJ_Cjy7o

Maze as an encore
https://www.youtube.com/watch?v=42Tyjkdxhq8

Skykiller
https://www.youtube.com/watch?v=CivFcS3co_Y&t=0s


Sword of Avenger
https://www.youtube.com/watch?v=v2Ns_l4QcZI


Destrose - album
https://www.youtube.com/playlist?list=PL0XEksCh3y_ZlPY4gPrUTMEQmLDTusq1y


Aftermath with Ami  (also of Vampire Pledge)
https://youtu.be/iRbMDXOJcQ0


J

Sunday, January 20, 2019

Raise a Suilen... and friends

  Not so very metal-influenced, but I followed up on the last person to drum for Cyntia and this is what I found.
  The aforementioned drummer Natsume who did the Urban Night album and tour with Cyntia has and does drum multiple gigs. One that had been simmering and began taking off early in 2018 was first called “The Third” because they were the third band to appear live on the “BanG Dream” program on Bandori TV. BanG Dream is an anime series about young female bands. Each character is very detailed. The studio musicians who ended up singing and playing the music began to eventually be revealed because people wanted to see them. The Third live band was renamed “Raise a Suilen” which is to say “Raise a bamboo curtain” revealing who the human band members are.
The anime characters are way young, none older than high school sophomores and some in middle school. The live band is considerably older, and that’s good because their musical skill level is commensurate. (Yes, I know there are child prodigies. They’re notable, because they’re unusual. If all child music students were prodigies, none would be notable nor even called a prodigy.)
So they’re a live band, and they’re an anime series. I’m probably oversimplifying or misstating the sequence and relationship, but that’s basically it.


They are:
    •    Raychell (vocals and bass)
    •    Kohara Riko (guitar and vocals)
    •    Natsume (drums and vocals)
    •    Kurachi Reo (keyboard and vocals)
    •    Tsumugi Risa (DJ and vocals)

On to the music. It’s high energy rock. So far, there are only four songs I see out there from this group.
"Unstoppable" -
Raychelle sings it cool, there is also vocal participation from the others, and most are very, well, animated. About the 3:10 mark, keyboardist Reo throws a high kick in the middle of playing. Lightning-fast, her foot flies up above her head for less than a second. Wow. Can’t fault the enthusiasm.
https://www.youtube.com/watch?v=ReM4oBWpv7E

This is posted as "R.I.O.T" but sounds very similar.
https://www.youtube.com/watch?v=FxhCp3XEWtw

Here’s the second live performance of that. We get a look at the DJ handling the intro music and the more complex electronica and visuals. I think. Overall they did a “value-added” presentation compared to the first.
https://www.youtube.com/watch?v=FxhCp3XEWtw

“A Declaration of xxx” plus “Expose Burn Out!!!” - Not live but the only vid I see of these. About the first - it seems to be more or less a dating custom in Japan to begin dating after a “love from afar” period followed with a declaration/confession by the young man of having feelings for the young woman and then if she agrees to go out, zap they’re in a relationship. In a video about dating in Japan, a young Japanese woman told of what a surprise it was when a western guy simply invited her out, and she came to realize they didn’t have to go from zero to relationship in seconds flat, they could get to know each other first. She rather liked it.
https://www.youtube.com/watch?v=JVZPU44Ap-M


A further observation about the group: Raychelle is relatively tall, 173 cm/5’8”, and Natsume is about the same, and everyone else is considerably smaller. So the more petite ones dress more like the young-girl anime characters while Raychelle and Natsume don’t even try because it would look silly. They get to be the adults I guess.

Some info pages. The first is a nicely detailed fan page. In all these, it is  somewhat difficult to distinguish between the live band members and the characters that correspond in the anime series. In general, I’m thinking the quirkier the description, the more likely it is to be the anime personality.  If I’m reading it correctly, this page says the live performance songs except “This is the Way We Roll” were their originals.
https://iviachupichu.home.blog/raise-a-suilen-overview/

http://bandori.wikia.com/wiki/RAISE_A_SUILEN

https://www.reddit.com/r/BanGDream/comments/a3zjin/raise_a_suilen_characters_revealed_manga_revealed/


  These days Natsume also drums, and Raychelle does backing vocals, in Shazna, a “visual kei” band originally formed in Osaka in 1993 and currently in its third incarnation with three of its original members. “Visual kei” is the often-androgynous Japanese style glam rock, which can encompass any of several genres of music. I may expand on them in future following this series, because they’re not an all-woman band which is what I’m doing right now.

Two other bands of note in the BanG Dream franchise, which are all female: Roselia and Poppin’Party. Like Raise a Suilen, they are both real live bands and anime cartoons. Briefly -

A fan magazine page covering Roselia, whose outfits seem to be flamenco-inspired. With video links. Just addressing the live performance vids, “Re:birth day” is nicely done rock/pop. “Netsuiro Starmine” is more intense, inventive and driving... Liked.  “Louder” also; lead singer pushed her expression to the edge on this, deliberately (IMHO) going for a kind of desperate outpouring, which is not a bad thing. Many singers play it safe. She didn’t. My respect.
  Band characters’ popularity poll is listed near the bottom of the page. Two tied for first, though all were really close. Japanese diplomacy? The list is useful for names anyway.
https://j-mag.org/en/2018/03/01/bang-dream_survey-3/

Poppin’ Party, nickname Popipa: They actually perform the theme song for the TV anime “BanG Dream” series, linked in the page here. Over-the-top cutesy. They seem to be going for the anime character very-young-girl persona. I haven’t looked up the individuals, though most of these bands have members who are twentysomething. Similar to the Roselia article, popularity poll gives us the names.
https://j-mag.org/en/2018/02/20/bang-dream_survey/

There are other anime bands in the franchise, but those are the ones I know that have a live-band presence.
  The Wikipedia article on the BanG Dream! world.
https://en.wikipedia.org/wiki/BanG_Dream!


J

Wednesday, January 16, 2019

Cyntia (Artemis)

Cyntia with no “h” - when searching, you can expect to have to click links saying “Search only for ‘Cyntia’?” Otherwise you get everything but them. But well worth the search.
Cyntia is a phonetic form of an English pronunciation of the name Cynthia, which is supposed to be another name for the goddess Artemis.
 They spend more time doing PowerPop/Rock oriented stuff rather than metal oriented compared to the majority of others in this series. Fun though. Variety I like. Good roadtrip music. And how cool is it for your lead singer to be named Saki?
Saki has a mostly natural sounding vocal style, comfortable to hear. When she lets loose the volume, it almost always sounds effortless. It soars. 
And - she has the ability to use a bit of vibrato without overdoing it. That is vital to listenability for me. I can handle none or a little. Overdo and I feel like running for the exit. Saki wins.
And the band is great, top-level musicianship, with its own mix of traditional rock and metal (plus the aforementioned PowerPop), sometimes traditional Japanese elements, and occasional other touches pulled from the middle east, from jazz... Their quality seems to be more the norm than not of the Japanese rock/metal groups who make it onto YouTube, really. Some examples -

Endless World - Playing a smaller club, Saki very casual in T-shirt and shorts, doing a cute childlike chorus, yet with solid strong instrumental work...

More dressed up and rocking a bit harder at Blaze, a bigger venue with flashing lights, et cetera:

At Blaze, Part 2 - more intense, more metal elements included now and then:

One of their more metallic rockers, “Through the Fire and Desire”
Another reminder of how much fun Japanese groups have with the stronger rock and metal tunes. I gotta learn more of the language...

“Ride on Time” - I mentioned rockin’ road music, right? Or dancing, whatever.

GeAr - Kickin’ hard rock and Saki leading “the wave” all in one song... I like.

A rock anthem of sorts, originally released in 2013 - and, Ayano gets mobile with an Edgar Winter style keyboard-with-strap -
Return to Myself ~ Shinai, Shinai, Natsu

Green Eyed Monster


Saki – Vocals
Yui – Guitars, Chorus
Ayano – Keyboards, Piano, Chorus 
Azu - Bass, Chorus 
Natsume – Drums, Percussion, Chorus (Support)

  Their music runs from heavy rock to well, pretty much pop. Being one of the few bands I’m reviewing in this series who is signed to a major recording label is  probably an influence. 
In 2015, previous drummer Kanoko Matsukawa left following the widely disrespected “Woman” album (many considered it fluff). She had co-founded the group in 2011 with lead guitarist Yui.
They apparently realized how far astray they had gone and came back with a stronger sound on “Urban Night” in late 2016, followed by the “Urban Night” promo tour going into 2017 . It looks like Natsume played “support” drums for them but isn’t officially a member? The band website has a picture of the other four as the main banner and that’s it.
They are said to be on hiatus as of January 2018. Reason given was Yui had a health problem.
Since Natsume’s main gig with Raise a Suilen took off and she became less available about then, that MIGHT have been a factor too.
I would really like to see (and hear) Cyntia regroup and continue.
Cyntia Urban Nights promo pic, less Natsume


Their site

Their Encyclopedia Metallium page, doesn’t mention Natsume

Same site, page on Kanoko

The Wiki schtick. Ignores the work of Natsume.


Natsume’s blog. Not terribly current, but it is showing her playing for Cyntia through December 17, 2017, under the “Schedule” tab (also the “Media” tab shows the cover of the Cyntia “Urban Night” DVD among other things). Then I see names like Raychelle, The Third, Shazna going as far as April 2018. I see references  on her Facebook etc. to “Raise a Suilen”. A short review of that group will be following soonly.

Natsume’s Instagram

And her Facebook photos, including concert posters, show her with Cyntia. So this is the correct Natsume.

Drumming demo with disassembly and reassembly of a snare drum. Explaining it in Japanese of course.


Okay. Done. Will pick up with “Raise a Suilen” next, because of the Natsume connection.







 

Tuesday, January 8, 2019

Bridear

Playing Graz, Austria, 2018-11-27
One of Bridear’s early publicity photos carried the text, “Gal Metal Band from Fukuoka” which I think was pretty much to the point.
  The instrumentals are strong. IMHO, Kimi sounds more garage-punk than metal, usually. When they have another singer (Misa until her exit) doing metal “death growl” lines back and forth with her, THEN it sounds more metal. Just my opinion. Can’t do that every song though because it’s hard on the throat.
They do several numbers with guitars playing identical notes, plus a few harmonizing as well, then back. Kinda neat.
  “Skew Lines” (2016) was one of their densest metal offerings. Lately, trying for a more “commercial” approach, “Dear Bride” (album “Helix” 2018) sounds more PowerPop. There’s a lot in between.
     They were formed in 2011 and have had only one change in the members. Their 2013 album “Overturn the Doom” had a cover scene that is darkish on the viewer’s side, but a door is partway open with a bright light shining from beyond... and several of their songs include the idea of light overcoming darkness, which illustrates my impression that Japanese female metal bands tend to be heavy-duty with their instruments and at the same time, more positive in spirit and message than many western death-metal bands. They clearly plan on winning and living.

Lead guitarist Misa departed in 2017, citing different goals (she was not feeling the new pop-ish direction as I understand), and early in 2018 they gained Misaki. Since then they recorded the album “Helix”.
https://visualioner.com/2018/03/30/misaki-has-joined-bridear-new-look/

Official website, which has a button for which language to use:
https://bridear.jp/

YouTube channel:
https://www.youtube.com/channel/UCqkHezzlbqWrmOhoTcZTVjg

https://twitter.com/Bridear_info

https://mobile.twitter.com/Bridear_info

And this is Misaki’s page -
https://twitter.com/black_rainyday

Metal Archives page:
https://www.metal-archives.com/bands/Bridear/3540368187

And
https://www.last.fm/music/Bridear

Former guitarist Misa:
https://www.metal-archives.com/artists/Misa/515792

https://www.jrocknews.com/2017/09/bridears-misa-depart-european-tour.html

A review of the 2018 “Helix” album. A dude is doing the growls on G-A-M-E? Sigh. Can anyone confirm/deny?
https://www.metal-archives.com/reviews/Bridear/Helix/703055/Liquid_Braino/198103

A live version of G-A-M-E, which definitely has Kimi doing the growls.
           https://www.youtube.com/watch?v=MiFZ_JWKVwE

Group member profiles:
https://bridear.jp/profile/

Yoshitsuru is leaving at 2018 year end:
https://bridear.jp/news/美弦%E3%80%80脱退のご報告/